Recently
I happened upon a wonderful blog by Joanna Burgess, pages full of good
things--articles, poetry, videos of beautiful music, wonderful accents, and
merry wit. It's rare to find such a--well, I would say such a beautiful and
enchanting website.
Specific to the gentlemanly nature
of The Well-Dressed Gentleman, I'd like to post a recent article from Joanna's
website--not written by Joanna, but by a fellow named Howard Shalwitz and
posted by Joanna. It's a great article on why theatre--not the movie theatre,
but real, live theatre--matters. Read it and paste it into your
hat...and find a good play to attend; Shakespeare is always good. Or, yes,
opera. In fact, if you can find Don Giovanni by Mozart, give it a whirl. Seeing
an immoral fellow at the point of death, threatened with Hell, and refusing to
repent even as he is dragged downward--all set to Mozart's music--sends shivers
up the spine. Lots of true humanity in that opera throughout, from the
humorous, to the sad, to the terrifying.
7 Reasons Why Theatre Makes Our
Lives Better
As someone who came from a family of doctors, started out
pre-med in college, detoured to philosophy, then teaching, and finally to
theatre — not only did my career choices slide steadily downhill from my
mother's perspective, but I was left with a moral conundrum: does my chosen
profession, theatre, make a valuable contribution to the world when compared
with the other professions I left behind? I guess this conundrum has stuck with
me, because as recently as this past winter I made a list of seven reasons why
theatre matters and I'd like to share them with you briefly tonight.
First, theatre
does no harm. Theatre
is one of those human activities that doesn't really hurt anyone or anything
(except for its carbon footprint -- but let's ignore that for now). While we're
engaged in making or attending theatre, or any of the arts for that matter, we
are not engaged in war, persecution, crime, wife-beating, drinking,
pornography, or any of the social or personal vices we could be engaged in
instead. For this reason alone, the more time and energy we as a society devote
to theatre and the arts, the better off we will be.
Second,
theatre is a sophisticated expression of a basic human need -- one might call
it an instinct -- to mimic, to project stories onto ourselves and others, and
to create meaning through narrative and metaphor.. We see this instinct expressed in
children when they act out real or imagined characters and events. We have
evidence of theatre-like rituals in some of the oldest human societies, long
before the foundations of Western theatre in Ancient Greece. So theatre
matters, in essence, because we can't help it. It's part of what makes us human.
Third, theatre
brings people together. For a performance to happen, anywhere from a hundred to a thousand
or more people need to gather in one place for a couple of hours, and share
together in witnessing and contemplating an event that may be beautiful, funny,
moving, thought-provoking, or hopefully at least diverting. And in an age when
most of our communication happens in front of a screen, I think that this
gathering function of theatre is, in and of itself, something that matters.
Fourth,
theatre models for us a kind of public discourse that lies at the heart of
democratic life, and builds our skills for listening to different sides of a
conversation or argument, and empathizing with the struggles of our fellow
human beings whatever their views may be. When we watch a play, we learn
what happens when conflicts don't get resolved, and what happens when they do.
We develop our faculty for imagining the outcomes of various choices we might
make in our personal lives and our political lives. It's not surprising that,
in repressive societies, theatre has often been aligned with the movement
toward openness and freedom. In South Africa theatre played a role in the
struggle against apartheid; in Czechoslovakia, a playwright became the leader
of a new democracy. If our own representatives and senators in Washington went
to the theatre more often, I suspect we'd all be better off.
Fifth, both
the making of theatre and attending of theatre contribute to education and
literacy. Watching the characters talk back and forth in the theatre is tricky;
it requires sharp attention, quick mental shifts, and nimble language skills. It teaches us about human
motivation and psychology. In historical plays we get lessons in leadership and
government. In contemporary plays, we learn about people and cultures in
different parts or our own country or in other countries. Studies have shown
that students who participate in theatre do better in school. Making plays
together also draws kids out of their shells and helps them learn to socialize
in a productive and healthy way.
Sixth, theatre
as an industry contributes to our economy and plays a special role in the
revitalization of neglected neighborhoods. We've seen this quite clearly in our
own city. You
can look at the role that the Studio Theatre played along the 14th Street
corridor, or Shakespeare Theatre along Seventh Street, or Woolly in both these
neighborhoods, or Gala Hispanic Theatre in Columbia Heights, the Atlas along H
Street, or the new Arena Stage along the waterfront. As each of these theatres
opened, new audiences started flooding in, new restaurants opened, jobs were
created, the city improved the sidewalks, and neighborhoods that were once grim
and forbidding became vibrant hubs of activity. And this pattern has been
repeated in cities across the United States and around the world.
Finally, the
seventh way that theatre matters -- and this one applies to some kinds of
theatre more than others -- is that it influences the way we think and feel
about our own lives and encourages us to take a hard look at ourselves, our
values, and our behavior. The most vivid example of this I've ever experienced was during a
post-show discussion at Woolly Mammoth when a woman said that one of our plays
made her and her husband decide that they had a serious problem in their
marriage and needed to go for counseling; and she was pleased to report that
they were still together and much happier as a result. Now, I'll admit, I don't
hear things like this every day. But speaking more generally isn't this one of
the things we go to the theatre for, to measure our own lives against the lives
we see depicted on the stage, to imagine what it would be like if we had those
lives instead? And isn't it a very short step from there to saying, gee, maybe there's
something I should change about my own life? And it may have nothing to do with
the message that the playwright wanted to deliver! Maybe the play is about a
fierce battle over a family dinner that breaks the family apart over
irreconcilable political divisions -- but maybe you watch the play and say,
gosh, wouldn't it be nice to at least have a family dinner once in a while, and
so you decide to plan one for next month.
So, those are my seven ways that theatre matters: it does no harm,
expresses a basic human instinct, brings people together, models democratic
discourse, contributes to education and literary, sparks economic
revitalization, and influences how we think and feel about our own lives.
Howard
Shalwitz is the Artistic Director at Woolly Mammoth
Theatre Company.
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